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Exile Creative

André Hoffman
Newcastle,Australia
+61(0)432753874
Photography

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Exile Creative

  • Action Images
  • Workshops
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  • Australian Landscapes
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Glenorchy and that Wharf

September 23, 2017 Andre Hoffman
Glenorchy wharf at sunrise.Canon 5Dmiii, 16-35L iii @ 16mm, ISO50, f/18, 30s, B+W CPL

Glenorchy wharf at sunrise.

Canon 5Dmiii, 16-35L iii @ 16mm, ISO50, f/18, 30s, B+W CPL

This morning Bryan had decided that he was going to shoot Glenorchy from the lookout up the road.  I had decided to stay at the wharf and get some of the classic shots.  I was glad I did.

Today was our last day in NZ.  We had to drop off the car and catch a plane out of Queenstown to Sydney at midday.  Bryan returned successful at about 8.  I cooked breakfast and we were off.  Julia would be waiting in Sydney for me so we could continue this trip together in Tasmania and I was looking forward to the next leg.

Glenorchy wharf at sunrise.Canon 5Dmiii, 16-35L iii @ 16mm, ISO50, f/22, 20s, B+W CPL

Glenorchy wharf at sunrise.

Canon 5Dmiii, 16-35L iii @ 16mm, ISO50, f/22, 20s, B+W CPL

The view NorthCanon 5Dmiii, 16-35L iii @ 35mm, ISO50, f/22, 6s, Nisi 0.9 GND Soft & B+W CPL

The view North

Canon 5Dmiii, 16-35L iii @ 35mm, ISO50, f/22, 6s, Nisi 0.9 GND Soft & B+W CPL

Comment

Paradise

September 22, 2017 Andre Hoffman
Under the bridge on the Glenorchy-Routeburn Rd.Canon 5Dmiii, 16-35L iii @ 16mm, ISO100, f/14, 30s, B+W CPL

Under the bridge on the Glenorchy-Routeburn Rd.

Canon 5Dmiii, 16-35L iii @ 16mm, ISO100, f/14, 30s, B+W CPL

This morning was, thankfully, a lie-in.  Yesterday was a long one and I was grateful for a little extra sleep.  It wasn't a long drive back up through Queenstown to Glenorchy so we checked out at about 10am, grabbed the required coffee and left Te Anu and the Fjordlands behind.

There are a few rivers that flow into the Northern side of Lake Wakatipu.  If you take the Glenorchy-Paradise rd North out of Glenorchy you cross a few of these rivers enroute to the Routeburn track and Sylvan Lake.

This afternoon we drove North to explore this area and get a spot to shoot the sunset.  This was to be our last in NZ.  We ended up at the Sylvan Lake parking area and doing the hour hike to the lake.  This was pretty special with so many changes in light and vegetation.  Somnus peak towered above the lake.

We wouldn't have been able to shoot the sunset in this wooded area so we decided to go back to the bridge in Paradise...yes, that's what the area is called. :)  We picked up a young French girl, Amelie, travelling on her own through NZ at Sylvan Lake.  She needed a lift back to Glenorchy and I am pretty sure she regretted asking two photographers who took 90min to shoot the sunset along the way!

It was clear, during the sunset shoot that I had not learned my lesson at Tasman Lake.  In the cold and wind, I dropped 2 filters and the holder...this time off the bridge into the river.  That was another $750, literally, in the water :(.  I was lucky not to hit Bryan with the shattered glass who was shooting on the rocks under the bridge.  Julia would be waiting in Sydney with the 0.6ND that I dropped in Aoraki but it was too late to ask her to get these in time for our trip to Tassie next week.  I was hating myself again.

We dropped Amelie off outside our accommodation, The Glenorchy Lakehouse, and I felt sorry for her as she wandered off into the dark to find a spot for her tent...then I realised that I had been there too and this was just her turn.

Enroute to Sylvan LakeCanon 5Dmiii, 16-35L iii @ 20mm, ISO250, f/4, 1/100s, B+W CPL

Enroute to Sylvan Lake

Canon 5Dmiii, 16-35L iii @ 20mm, ISO250, f/4, 1/100s, B+W CPL

Rush hour on the Glenorchy-Paradise Rd.Canon 5Dmiii, 100-400L IS ii @ 400mm, ISO200, f/9, 1/400s

Rush hour on the Glenorchy-Paradise Rd.

Canon 5Dmiii, 100-400L IS ii @ 400mm, ISO200, f/9, 1/400s

Sylvan Lake with Somnus PeakCanon 5Dmiii, 24-105L IS  @ 105mm, ISO50, f22, 13s, Nisi 0.6ND & B+W CPL

Sylvan Lake with Somnus Peak

Canon 5Dmiii, 24-105L IS  @ 105mm, ISO50, f22, 13s, Nisi 0.6ND & B+W CPL

Panning to get the colour of the dense foliageCanon 5Dmiii, 24-105L IS  @ 105mm, ISO640, f4, 1/20s, B+W CPL

Panning to get the colour of the dense foliage

Canon 5Dmiii, 24-105L IS  @ 105mm, ISO640, f4, 1/20s, B+W CPL

This reminded me of Fairy FlossCanon 5Dmiii, 100mm Macro @ 100mm, ISO800, f3.2, 1/80s

This reminded me of Fairy Floss

Canon 5Dmiii, 100mm Macro @ 100mm, ISO800, f3.2, 1/80s

Shooting South off the bridge on the Glenorchy-Routeburn rd.  Stitched Panorama in portraitCanon 5Dmiii, 100-400L IS ii @ 100mm, ISO100, f29, 10s, Nisi 0.6ND & B+W CPL

Shooting South off the bridge on the Glenorchy-Routeburn rd.  Stitched Panorama in portrait

Canon 5Dmiii, 100-400L IS ii @ 100mm, ISO100, f29, 10s, Nisi 0.6ND & B+W CPL

Shooting North off the bridge on the Glenorchy-Routeburn rd.  Stitched Panorama in portraitCanon 5Dmiii, 100-400L IS ii @ 100mm, ISO500, f/5.6, 1/400s, B+W CPL

Shooting North off the bridge on the Glenorchy-Routeburn rd.  Stitched Panorama in portrait

Canon 5Dmiii, 100-400L IS ii @ 100mm, ISO500, f/5.6, 1/400s, B+W CPL

Under the bridge on the Glenorchy-Routeburn Rd.Canon 5Dmiii, 16-35L iii @ 16mm, ISO100, f/14, 30s & B+W CPL

Under the bridge on the Glenorchy-Routeburn Rd.

Canon 5Dmiii, 16-35L iii @ 16mm, ISO100, f/14, 30s & B+W CPL

On top of the bridge on the Glenorchy-Routeburn Rd.  Right before I dropped all the filters into the river!Canon 5Dmiii, 16-35L iii @ 16mm, ISO100, f/5.6, 30s, Nisi 0.6ND & 0.9 GND Soft and  B+W CPL

On top of the bridge on the Glenorchy-Routeburn Rd.  Right before I dropped all the filters into the river!

Canon 5Dmiii, 16-35L iii @ 16mm, ISO100, f/5.6, 30s, Nisi 0.6ND & 0.9 GND Soft and  B+W CPL

Back in Glenorchy at the wharf.  A little light painting.Canon 5Dmiii, 16-35L iii @ 16mm, ISO100, f/4.5, 30s, B+W CPL and a torch

Back in Glenorchy at the wharf.  A little light painting.

Canon 5Dmiii, 16-35L iii @ 16mm, ISO100, f/4.5, 30s, B+W CPL and a torch

Comment

Milford Sound

September 21, 2017 Andre Hoffman
One of my very first as I stepped off the boardwalk onto the mud flatsCanon 5Dmiii, 16-35L iii @ 16mm, ISO250, f/6.3, 1/60s & B+W CPL

One of my very first as I stepped off the boardwalk onto the mud flats

Canon 5Dmiii, 16-35L iii @ 16mm, ISO250, f/6.3, 1/60s & B+W CPL

We left the Lakefront Apartments at about 5am this morning.  The lack of sleep and long drives were beginning to take their toll but the excitement of a day of shooting at Milford Sound made the dusty feeling a lot more tolerable.  It is a 2hr drive from Te Anu to the sound...the day had begun.

In 2008, Milford Sound was voted the world's best travel destination!   It is named after Milford Haven in Wales, while the Cleddau River which flows into the sound is also named for its Welsh namesake.  The Māori named the sound Piopiotahi after the thrush-like pippin bird, now extinct. Piopiotahi means "a single piopio", harking back to the legend of Maui trying to win immortality for mankind—when Maui died in the attempt, a piopio was said to have flown here in mourning.

It wasn't our plan to make the Sound for sunrise and we stopped at a few places along route 94 that weren't worth it so we pushed on.  In the end we were a little late for sunrise but it was still magnificent.

This was to be our base for the day.

This area would be swallowed up by the tide during the day.Canon 5Dmiii, 16-35L iii @ 16mm, ISO250, f/5.6, 1/60s & B+W CPL

This area would be swallowed up by the tide during the day.

Canon 5Dmiii, 16-35L iii @ 16mm, ISO250, f/5.6, 1/60s & B+W CPL

It's a fair walk to the water's edge at low tideCanon 5Dmiii, 16-35L iii @ 16mm, ISO250, f/6.3, 1/250s & B+W CPL

It's a fair walk to the water's edge at low tide

Canon 5Dmiii, 16-35L iii @ 16mm, ISO250, f/6.3, 1/250s & B+W CPL

A stitched panorama.  The middle is actually looking away from the sound.Canon 5Dmiii, 16-35L iii @ 16mm, ISO200, f/5.6, 1/125s & B+W CPL

A stitched panorama.  The middle is actually looking away from the sound.

Canon 5Dmiii, 16-35L iii @ 16mm, ISO200, f/5.6, 1/125s & B+W CPL

Calm pools ready to be swallowed by the incoming tide.Canon 5Dmiii, 16-35L iii @ 16mm, ISO200, f/6.3, 1/50s & B+W CPL

Calm pools ready to be swallowed by the incoming tide.

Canon 5Dmiii, 16-35L iii @ 16mm, ISO200, f/6.3, 1/50s & B+W CPL

The boardwalk from the carpark.Canon 5Dmiii, 16-35L iii @ 16mm, ISO200, f/5.6, 1/00s & B+W CPL

The boardwalk from the carpark.

Canon 5Dmiii, 16-35L iii @ 16mm, ISO200, f/5.6, 1/00s & B+W CPL

Water flowing to the sea.Canon 5Dmiii, 24-105L IS @ 24mm, ISO50, f/22, 4s & B+W CPL

Water flowing to the sea.

Canon 5Dmiii, 24-105L IS @ 24mm, ISO50, f/22, 4s & B+W CPL

The Chasm.  10km back up the road from Milford Sound.Canon 5Dmiii, 100-400L iii IS @ 107mm, ISO50, f/13, 15s & B+W CPL

The Chasm.  10km back up the road from Milford Sound.

Canon 5Dmiii, 100-400L iii IS @ 107mm, ISO50, f/13, 15s & B+W CPL

There's and airfield right at Milford Sound that allows you to take a flight through the hills.Canon 5Dmiii, 100-400L ii IS @ 400mm, ISO800, f/6.3, 1/2500s

There's and airfield right at Milford Sound that allows you to take a flight through the hills.

Canon 5Dmiii, 100-400L ii IS @ 400mm, ISO800, f/6.3, 1/2500s

The Sound around midday.Canon 5Dmiii, 24-105L IS @ 100mm, ISO800, f/6.3, 1/2500s & B+W CPL

The Sound around midday.

Canon 5Dmiii, 24-105L IS @ 100mm, ISO800, f/6.3, 1/2500s & B+W CPL

I walked the boardwalk at lunch time.Canon 5Dmiii, 16-35L iii @ 16mm, ISO50, f/8, 1/200s & B+W CPL

I walked the boardwalk at lunch time.

Canon 5Dmiii, 16-35L iii @ 16mm, ISO50, f/8, 1/200s & B+W CPL

We took at cruise on the Sound.  These cliffs were incredible!Canon 5Dmiii, 24-105L IS @ 105mm, ISO400, f/5, 1/250s & B+W CPL

We took at cruise on the Sound.  These cliffs were incredible!

Canon 5Dmiii, 24-105L IS @ 105mm, ISO400, f/5, 1/250s & B+W CPL

Fur seals.Canon 5Dmiii, 100-400L ii IS @ 400mm, ISO640, f/6.3, 1/400s

Fur seals.

Canon 5Dmiii, 100-400L ii IS @ 400mm, ISO640, f/6.3, 1/400s

Torrents of water flowing into the Sound.Canon 5Dmiii, 24-105L IS @ 99mm, ISO400, f/5, 1/125s & B+W CPL

Torrents of water flowing into the Sound.

Canon 5Dmiii, 24-105L IS @ 99mm, ISO400, f/5, 1/125s & B+W CPL

Fjordland Crested Penguin.  We were so lucky to see this cutie!Canon 5Dmiii, 100-400L ii IS @ 400mm, ISO640, f/6.3, 1/250s

Fjordland Crested Penguin.  We were so lucky to see this cutie!

Canon 5Dmiii, 100-400L ii IS @ 400mm, ISO640, f/6.3, 1/250s

Rumour has it that if a woman is touched by these waters then she appears 10 years younger.  It was funny watching the women get drenched as the captain stuck the boat's nose into the waterfall.Canon 5Dmiii, 100-400L ii IS @ 400mm, ISO640, f/6.…

Rumour has it that if a woman is touched by these waters then she appears 10 years younger.  It was funny watching the women get drenched as the captain stuck the boat's nose into the waterfall.

Canon 5Dmiii, 100-400L ii IS @ 400mm, ISO640, f/6.3, 1/640s

Fjordland MountainsCanon 5Dmiii, 100-400L ii IS @ 114mm, ISO640, f/6.3, 1/640s

Fjordland Mountains

Canon 5Dmiii, 100-400L ii IS @ 114mm, ISO640, f/6.3, 1/640s

The sun starting to set behind the hills.  The clouds were very bright unfortunately.Canon 5Dmiii, 16-35L iii @ 16mm, ISO50, f22, 1/0.5s & B+W CPL & Nisi 0.9 Soft GND

The sun starting to set behind the hills.  The clouds were very bright unfortunately.

Canon 5Dmiii, 16-35L iii @ 16mm, ISO50, f22, 1/0.5s & B+W CPL & Nisi 0.9 Soft GND

A few minutes later...Canon 5Dmiii, 16-35L iii @ 16mm, ISO50, f22, 1/0.5s & B+W CPL & Nisi 0.9 Soft GND

A few minutes later...

Canon 5Dmiii, 16-35L iii @ 16mm, ISO50, f22, 1/0.5s & B+W CPL & Nisi 0.9 Soft GND

Later still as a last shaft of light slid in behind the mountains.Canon 5Dmiii, 16-35L iii @ 31mm, ISO50, f/7.1, 3.2s, B+W CPL & Nisi 0.9 Soft GND & 0.6 ND

Later still as a last shaft of light slid in behind the mountains.

Canon 5Dmiii, 16-35L iii @ 31mm, ISO50, f/7.1, 3.2s, B+W CPL & Nisi 0.9 Soft GND & 0.6 ND

The sun disappeared.Canon 5Dmiii, 16-35L iii @ 31mm, ISO50, f/5.6, 0.8s, B+W CPL & Nisi 0.9 Soft GND & 0.6 ND

The sun disappeared.

Canon 5Dmiii, 16-35L iii @ 31mm, ISO50, f/5.6, 0.8s, B+W CPL & Nisi 0.9 Soft GND & 0.6 ND

Behind the scenes.Canon 5Dmiii, 16-35L iii @ 31mm, ISO800, f/4, 1/160s, B+W CPL

Behind the scenes.

Canon 5Dmiii, 16-35L iii @ 31mm, ISO800, f/4, 1/160s, B+W CPL

Comment

Rob Roy Glacier

September 20, 2017 Andre Hoffman
The front end of Rob Roy Glacier breaking over the cliff.Canon 5Dmiii, 100-400L ii IS @ 400mm, ISO100, f/8, 1/500s

The front end of Rob Roy Glacier breaking over the cliff.

Canon 5Dmiii, 100-400L ii IS @ 400mm, ISO100, f/8, 1/500s

This morning we woke up at sunrise the Edgewater with not much of an early morning plan.  Ordinarily this would have been fatal for the day but since we were on the edge of lake Wanaka, I raced over to that Wanaka Tree and shot with a bunch of other crazies as the rising sun shifted the fog from the lake.

Our plan for the day had been to drive along the Wanaka Mt Aspiring Road to the Rob Roy Glacier.  So, shortly after checking out, we did just that.  The road took us West past the Roy's Peak track, around Glendhu Bay, along the Matukituki River and into Mount Aspiring National Park.  A word of warning if you decide to do this:  The road becomes quite narrow, is unsealed and you have about 7 water crossings which can flood without notice and trap you on the other side.  Just take care and watch out for rogue sheep!.  This drive is about a hour from Wanaka.

Tomorrow we will be at Milford Sound which we will access from Te Anu.  The truth is we were so close to Milford on this track but there is no way through by vehicle so you have to drive around and it'll take 5 hours!

The Rob Roy Glacier is a small hanging glacier in theSouthern Alps.  It is located 9 kilometres (6 mi) south of Mt Aspiring.

The glacier covers the steep slopes of the mountains surrounding the head of the Rob Roy Valley. The most prominent part of the glacier is on the northwestern side of the valley on the slopes below the 2,644 metres (8,675 ft) tall Rob Roy Peak.  This part of the glacier extends from just below Rob Roy Peak down to a bench high on the valley's side where it abruptly breaks over the cliff's edge at around 1,500 metres (4,900 ft).

We hiked in for about 2hrs.  We didn't go all the way to the glacier along the second section of the track as we didn't have time because we had the long drive back to Wanaka and then on to Te Anu but the views we had along the way were magnificent!

The drive to Te Anu took us almost 4hrs.  1hr back to Wanaka and then about 3hrs to Te Anu and Fjordland National Park.

We checked in to the Lake Front Apartments and made plans to shoot the sunset along the Northern Shores of Lake Te Anu.

The sun burns off the fog very quickly in the morning. Canon 5Dmiii, 16-35L iii @ 35mm, ISO50, f/16, 15s with 0.6ND

The sun burns off the fog very quickly in the morning. 

Canon 5Dmiii, 16-35L iii @ 35mm, ISO50, f/16, 15s with 0.6ND

The warm glow as the sun rises in the EastCanon 5Dmiii, 16-35L iii @ 35mm, ISO50, f/16, 13s with 0.6ND

The warm glow as the sun rises in the East

Canon 5Dmiii, 16-35L iii @ 35mm, ISO50, f/16, 13s with 0.6ND

The swing bridge at the start of the Rob Roy Glacier Track.Canon 5Dmiii, 24-105L @ 60mm, ISO640, f/6.3, 1/250s with B+W CPL

The swing bridge at the start of the Rob Roy Glacier Track.

Canon 5Dmiii, 24-105L @ 60mm, ISO640, f/6.3, 1/250s with B+W CPL

On the Rob Roy Glacier TrackCanon 5Dmiii, 100-400L ii IS @ 321mm, ISO640, f/5.6, 1/80s

On the Rob Roy Glacier Track

Canon 5Dmiii, 100-400L ii IS @ 321mm, ISO640, f/5.6, 1/80s

The sun begins to set on the Northern Shores of Lake Te AnuCanon 5Dmiii, 16-35L iii @ 20mm, ISO200, f/18, 25s with 0.6ND and 0.9 Soft GND

The sun begins to set on the Northern Shores of Lake Te Anu

Canon 5Dmiii, 16-35L iii @ 20mm, ISO200, f/18, 25s with 0.6ND and 0.9 Soft GND

Brilliant colours to the West in Fjordland National ParkCanon 5Dmiii, 100-400L ii IS @ 227mm, ISO100, f/8, 1/50s

Brilliant colours to the West in Fjordland National Park

Canon 5Dmiii, 100-400L ii IS @ 227mm, ISO100, f/8, 1/50s

The sun set on the Northern Shores of Lake Te AnuCanon 5Dmiii, 16-35L iii @ 16mm, ISO160, f/8, 20s with 0.6ND and 0.9 Soft GND

The sun set on the Northern Shores of Lake Te Anu

Canon 5Dmiii, 16-35L iii @ 16mm, ISO160, f/8, 20s with 0.6ND and 0.9 Soft GND

 

 

 

Comment

Hooker Lake and beyond.

September 19, 2017 Andre Hoffman
Approaching Hooker Lake from the icy trail.  If you look closely you can see Bryan down at the shore shooting.Canon 5Dmiii, 16-35L III @ 24mm, ISO100, f/16, 1/30s Stitched Panorama

Approaching Hooker Lake from the icy trail.  If you look closely you can see Bryan down at the shore shooting.

Canon 5Dmiii, 16-35L III @ 24mm, ISO100, f/16, 1/30s Stitched Panorama

Bryan had been out yesterday afternoon and trekked through the rain to scout out Hooker Lake whilst I had sat in the hotel room licking my wounds from dropping my filters so he knew what to expect.  This morning the weather was a little cold and the snow still falling but the scene was set for a great shoot.

Hooker Lake is a proglacial lake at the foot of Hooker Glacier.  The current glacier lake only started to form in the 1970s, left behind as Hooker Glacier melted and retreated. Like many of the glaciers in the Southern Alps, Hooker Glacier is rapidly melting, with the glacier lake projected to grow as the terminus retreats until it reaches the glacier bed about 4 kilometres upstream from the current terminus.

The walk into Hooker Lake takes about 45min and is absolutely magnificent with the most amazing views of Mt Cook (if you're lucky) and the towering alps.

We spent most of the morning in and around Aoraki before we started the long drive back to Wanaka.

Enroute to Hooker Lake surrounded by peaks!Canon 5Dmiii, 24-105L @ 50mm, ISO800, f/4, 1/25s with 0.6 Soft GND

Enroute to Hooker Lake surrounded by peaks!

Canon 5Dmiii, 24-105L @ 50mm, ISO800, f/4, 1/25s with 0.6 Soft GND

The rising sun starts to brighten the landscape.Canon 5Dmiii, 24-105L @ 50mm, ISO400, f/5.6, 1/15s with 0.6 Soft GND

The rising sun starts to brighten the landscape.

Canon 5Dmiii, 24-105L @ 50mm, ISO400, f/5.6, 1/15s with 0.6 Soft GND

Mt Cook peeks out from behind the cloud.Canon 5Dmiii, 24-105L @ 50mm, ISO400, f/5.6, 1/15s with 0.6 Soft GND

Mt Cook peeks out from behind the cloud.

Canon 5Dmiii, 24-105L @ 50mm, ISO400, f/5.6, 1/15s with 0.6 Soft GND

Mt Cook catching the first rays of sunshine.Canon 5Dmiii, 100-400L ii IS @ 100mm, ISO100, f/13, 1/5s

Mt Cook catching the first rays of sunshine.

Canon 5Dmiii, 100-400L ii IS @ 100mm, ISO100, f/13, 1/5s

Some of the surrounding peaks lit up like torches!Canon 5Dmiii, 24-105L @ 75mm, ISO100, f/22, 1/4s

Some of the surrounding peaks lit up like torches!

Canon 5Dmiii, 24-105L @ 75mm, ISO100, f/22, 1/4s

One of the few glimpses we got of Mt Cook this morning.Canon 5Dmiii, 24-105L @ 47mm, ISO100, f/22, 4s with 0.6 Soft GND

One of the few glimpses we got of Mt Cook this morning.

Canon 5Dmiii, 24-105L @ 47mm, ISO100, f/22, 4s with 0.6 Soft GND

Hooker Lake with Mt Cook shrouded in cloud.Canon 5Dmiii, 24-105L @ 47mm, ISO100, f/16, 1/30s with 0.6 Soft GND

Hooker Lake with Mt Cook shrouded in cloud.

Canon 5Dmiii, 24-105L @ 47mm, ISO100, f/16, 1/30s with 0.6 Soft GND

Mt Cook still not coming out to playCanon 5Dmiii, 16-35L iii @ 32mm, ISO100, f/16, 1/30s with 0.6 Soft GND

Mt Cook still not coming out to play

Canon 5Dmiii, 16-35L iii @ 32mm, ISO100, f/16, 1/30s with 0.6 Soft GND

Some scale :)Canon 5Dmiii, 16-35L iii @ 16mm, ISO200, f/7.1, 1/50s

Some scale :)

Canon 5Dmiii, 16-35L iii @ 16mm, ISO200, f/7.1, 1/50s

Front face of the Hooker GlacierCanon 5Dmiii, 100-400L ii @158mm, ISO400, f/5.6, 1/500s

Front face of the Hooker Glacier

Canon 5Dmiii, 100-400L ii @158mm, ISO400, f/5.6, 1/500s

Canon 5Dmiii, 16-35L iii @ 16mm, ISO100, f/7.1, 1/50s with B+W CPL

Canon 5Dmiii, 16-35L iii @ 16mm, ISO100, f/7.1, 1/50s with B+W CPL

The long walk homeCanon 5Dmiii, 16-35L iii @ 35mm, ISO400, f/9, 1/160s

The long walk home

Canon 5Dmiii, 16-35L iii @ 35mm, ISO400, f/9, 1/160s

Love this place!Canon 5Dmiii, 16-35L iii @ 16mm, ISO50, f/22, 1/6s with 0.6 Soft GND

Love this place!

Canon 5Dmiii, 16-35L iii @ 16mm, ISO50, f/22, 1/6s with 0.6 Soft GND

I loved the monochrome feel of this sceneCanon 5Dmiii, 100-400L ii @ 241mm, ISO500, f/36, 4s

I loved the monochrome feel of this scene

Canon 5Dmiii, 100-400L ii @ 241mm, ISO500, f/36, 4s

From the last suspension bridge near the car park.Canon 5Dmiii, 16-35L iii @ 16mm, ISO50, f/22, 1/40s with 0.6 Soft GND

From the last suspension bridge near the car park.

Canon 5Dmiii, 16-35L iii @ 16mm, ISO50, f/22, 1/40s with 0.6 Soft GND

Back in Wanaka!Canon 5Dmiii, 16-35L iii @ 32mm, ISO200, f/10, 1/15s with B+W CPL

Back in Wanaka!

Canon 5Dmiii, 16-35L iii @ 32mm, ISO200, f/10, 1/15s with B+W CPL

Comment

Tasman Lake at Sunrise

September 18, 2017 Andre Hoffman
Tasman Lake from the entry to the river.  Mt Cook is behind those clouds that wouldn't let up!Canon 5Dmiii, 16-35L III @ 21mm, ISO100, f/9, 15s with 0.6 Soft GND and 0.9ND

Tasman Lake from the entry to the river.  Mt Cook is behind those clouds that wouldn't let up!

Canon 5Dmiii, 16-35L III @ 21mm, ISO100, f/9, 15s with 0.6 Soft GND and 0.9ND

I had missed a few shots last night at Tasman Lake so I decided to go back there for sunrise.  Bryan had other ideas and headed off to another location.

Tasman Lake is a proglacial lake formed by the recent retreat of the Tasman Glacier.  Tasman Lake, the glacier and the surrounding mountains are part of Aoraki / Mt Cook National Park.

Tasman Lake is only a 15 minute walk from the car park.  Getting lost last night turned it into a hour walk!  Upon arrival there were a whole bunch of photographers there.  You can just see them in the image below on the right near the river mouth.  In my experience, photographers you meet are either really nice or complete social misfits...these were all the latter.  Non-talkers as I like to call them who all act like this location has never been shot before and you're about to steal their shot!  It's annoying...just be nice!

Anyway, I started my ritual about the same time the rain came.  The Non-talkers left.  Yay!  After a few panos I decided to move over to the river mouth and shoot from there.  Camera attached to the tripod and filters attached to the camera...mistake!  I settled in, shot one shot and then tried to move my filters.  The sill Nisi holder is so fiddly and it was freezing and I dropped it.  Crash!!  The 0.6 Soft GND smashed but luckily the 0.9ND survived.  I was so mad at myself I packed up, walked to the car, met Bryan and drove  back to the Hermitage.  I never left the room again today except for dinner.  It rained all day anyway.  Bryan was pretty brave and walked in to Hooker Lake in the pouring rain in prep for our shoot tomorrow. 

Photographers at the river mouthCanon 5Dmiii, 16-35L III @ 27mm, ISO2000, f/5.6, 1/2000s

Photographers at the river mouth

Canon 5Dmiii, 16-35L III @ 27mm, ISO2000, f/5.6, 1/2000s

One of the icebergs I likedCanon 5Dmiii, 100-400L II @ 400mm, ISO800, f/5.6, 1/500s

One of the icebergs I liked

Canon 5Dmiii, 100-400L II @ 400mm, ISO800, f/5.6, 1/500s

Tasman LakeCanon 5Dmiii, 16-35L III @ 21mm, ISO100, f/9, 10s with 0.6 Soft GND and 0.9 ND

Tasman Lake

Canon 5Dmiii, 16-35L III @ 21mm, ISO100, f/9, 10s with 0.6 Soft GND and 0.9 ND

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Mt Cook and Aoraki...breathtaking!

September 17, 2017 Andre Hoffman
The beautiful icebergs of Tasman LakeCanon 5Dmiii, 16-35L III @ 35mm, ISO200, f/5.6, 30s

The beautiful icebergs of Tasman Lake

Canon 5Dmiii, 16-35L III @ 35mm, ISO200, f/5.6, 30s

Tasman Lake at sunset looking out towards Mt Cook.

Canon 5Dmiii, 16-35L III @ 16mm, ISO200, f/5.6, 30s

I met Bryan Stalder at Queenstown Airport last night.  This was to be the start of the photographic leg of my New Zealand holiday.  It was exciting to be travelling with another photographer again.

We started the day at sunrise at the Shotover river.  The water wasn't as blue as we'd hoped and the rain pelted down but it was still beautiful.

After breakfast at the Mercure Queenstown, we hit the road North.  Destination Mt Cook Aoraki National Park!

Aoraki Mount Cook National Park is home of the highest mountains (Mt Cook) and the longest glaciers in New Zealand. It is alpine in the purest sense - with skyscraping peaks, glaciers and permanent snow fields, all set under a star-studded sky.

According to Ngai Tahu legend, Aoraki and his three brothers were the sons of Rakinui, the Sky Father. While on a sea voyage, their canoe overturned on a reef. When the brothers climbed on top of their canoe, the freezing south wind turned them to stone. The canoe became the South Island (Te Waka o Aoraki); Aoraki and his brothers became the peaks of the Southern Alps.

We arrived in the late afternoon and decided that the easiest thing to do would be to walk in to the Tasman Lake area and shoot the sunset there.

Upon arrival the mountains were covered in cloud.  Bryan and I debated returning to the car and driving back down the road to shoot there as it looked more clear.  Indecision paid off this time.  As we debated the clouds started to clear and we had the BEST sunset!

We stayed til after dark and got lost on the way back to the car...all worth it though!

Shotover riverCanon 5Dmiii, 24-105L IS @ 24mm, ISO100, f/10, 10s

Shotover river

Canon 5Dmiii, 24-105L IS @ 24mm, ISO100, f/10, 10s

Bridge over the Shotover RiverCanon 5Dmiii, 100-400L II IS @ 200mm, ISO1600, f/6.3, 1/160s

Bridge over the Shotover River

Canon 5Dmiii, 100-400L II IS @ 200mm, ISO1600, f/6.3, 1/160s

The Clay CliffsCanon 5Dmiii, 24-105L IS @ 100mm, ISO400, f/8, 1/320s  Stitched Pano

The Clay Cliffs

Canon 5Dmiii, 24-105L IS @ 100mm, ISO400, f/8, 1/320s  Stitched Pano

Shot of the mountains from our hotel roomCanon 5Dmiii, 100-400L II IS @ 135mm, ISO400, f/6.3, 1/320s

Shot of the mountains from our hotel room

Canon 5Dmiii, 100-400L II IS @ 135mm, ISO400, f/6.3, 1/320s

Walking out to Tasman LakeCanon 5Dmiii, 16-35L III @ 35mm, ISO400, f/5, 1/160s with 0.6 Soft GND

Walking out to Tasman Lake

Canon 5Dmiii, 16-35L III @ 35mm, ISO400, f/5, 1/160s with 0.6 Soft GND

Mt Cook Aoraki National ParkCanon 5Dmiii, 16-35L III @ 35mm, ISO400, f/5, 1/160s with 0.6 Soft GND

Mt Cook Aoraki National Park

Canon 5Dmiii, 16-35L III @ 35mm, ISO400, f/5, 1/160s with 0.6 Soft GND

Mt Cook Aoraki National ParkCanon 5Dmiii, 16-35L III @ 35mm, ISO200, f/5, 1/2000s with 0.6 Soft GND

Mt Cook Aoraki National Park

Canon 5Dmiii, 16-35L III @ 35mm, ISO200, f/5, 1/2000s with 0.6 Soft GND

Mt Cook!Canon 5Dmiii, 100-400L II IS @ 400mm, ISO200, f/10, 1/80s

Mt Cook!

Canon 5Dmiii, 100-400L II IS @ 400mm, ISO200, f/10, 1/80s

Mt Cook Aoraki National ParkCanon 5Dmiii, 100-400L II IS @ 100mm, ISO400, f/5.6, 1/200s

Mt Cook Aoraki National Park

Canon 5Dmiii, 100-400L II IS @ 100mm, ISO400, f/5.6, 1/200s

Tasman Lake!Canon 5Dmiii, 16-35L III IS @ 35mm, ISO200, f/5.6, 1/100s  Stitched Pano

Tasman Lake!

Canon 5Dmiii, 16-35L III IS @ 35mm, ISO200, f/5.6, 1/100s  Stitched Pano

Mt Cook Aoraki National ParkCanon 5Dmiii, 16-35L III IS @ 35mm, ISO200, f/5.6, 1/60s

Mt Cook Aoraki National Park

Canon 5Dmiii, 16-35L III IS @ 35mm, ISO200, f/5.6, 1/60s

Tasman LakeCanon 5Dmiii, 24-105L IS @ 50mm, ISO50, f/22, 6s

Tasman Lake

Canon 5Dmiii, 24-105L IS @ 50mm, ISO50, f/22, 6s

The road into the Tasman Lake area.Canon 5Dmiii, 16-35L III IS @ 35mm, ISO2000, f/3.2, 15s

The road into the Tasman Lake area.

Canon 5Dmiii, 16-35L III IS @ 35mm, ISO2000, f/3.2, 15s

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Roy's Peak

September 16, 2017 Andre Hoffman
The classic Roy's Peak shot.  This is about a hour from the summit but has the best views.Canon 5Dmiii, 100-400L II IS @  135mm, ISO100, f/8, 1/60s

The classic Roy's Peak shot.  This is about a hour from the summit but has the best views.

Canon 5Dmiii, 100-400L II IS @  135mm, ISO100, f/8, 1/60s

The Roy's Peak Track was the second item on my Wanaka bucket list.  I had planned to to do it next week when I was back in the area but the track was to be closed tomorrow for the lambing season...luckily we checked.  This was said to be a tough walk with no rest points.  Tyson would have to carry Alba all the way in the pack.  Clara wasn't keen on a massive day but up we went!

To get to the Roy's Peak Track from Wanaka, drive in western direction on the Wanaka – Mount Aspiring Road towards Glendhu Bay.  After driving for approximately 6km, look for the Roy's Peak Track parking lot on the left side of the road where the track starts. There is a sign and an information panel at the beginning of the Track.  As i said, the track is closed in the spring for the lambing season and the dates change as we found out!

The summit of Mount Roy towers 1,578 meters (5,177 ft) above sea level. You can get 360-degree views of most of Lake Wanaka, Mount Aspiring, the Matukituki Valley, Wanaka, and even see as far as Hawkdun Range in Central Otago.

This walk was every bit as tough as people said it was.  Maybe it was the snow, maybe it was the heavy camera gear but it hurt...especially on the way down.

What to look for when looking for this track.  Mount Roy is the peak in the background and it's a lot higher than it looks here!iPhone 6S

What to look for when looking for this track.  Mount Roy is the peak in the background and it's a lot higher than it looks here!

iPhone 6S

Just a bit of info.iPhone 6S

Just a bit of info.

iPhone 6S

Clara and Tyson with Alba.  Alba had been in the pack for about 4hrs at this point and still smiling!  What a trooper!Canon 5Dmiii, 100-400L II IS @  100mm, ISO800, f/7.1, 1/250s

Clara and Tyson with Alba.  Alba had been in the pack for about 4hrs at this point and still smiling!  What a trooper!

Canon 5Dmiii, 100-400L II IS @  100mm, ISO800, f/7.1, 1/250s

Pushing to the summit.Canon 5Dmiii, 24-105L IS @  35mm, ISO200, f/8, 1/160s

Pushing to the summit.

Canon 5Dmiii, 24-105L IS @  35mm, ISO200, f/8, 1/160s

View from Mount Roy summit.Canon 5Dmiii, 16-35L III @  16mm, ISO100, f/8, 1/80s

View from Mount Roy summit.

Canon 5Dmiii, 16-35L III @  16mm, ISO100, f/8, 1/80s

Lake WanakaCanon 5Dmiii, 16-35L III @  16mm, ISO100, f/8, 1/125s Stitched pano

Lake Wanaka

Canon 5Dmiii, 16-35L III @  16mm, ISO100, f/8, 1/125s Stitched pano

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Wanaka and that tree...

September 14, 2017 Andre Hoffman
Canon 5Dmiii, 100-400L II IS @  148mm, ISO50, f/32, 13s

Canon 5Dmiii, 100-400L II IS @  148mm, ISO50, f/32, 13s

Today's trek took us South again to Wanaka.  I'd been looking forward to Wanaka for so long now I could barely contain myself.

Nestled below towering mountains, Wanaka is the most tranquilly set of the South Island lakes.

Wanaka is a popular ski and summer resort town in the Otago region of the South Island of New Zealand. At the southern end of Lake Wanaka, it is at the start of the Clutha river and is the gateway to Mount Aspiring National Park.  Historically, Maori visited the Wanaka area to hunt and fish in summer or on their way to seek pounamu on the West Coast.  The current town was founded during the gold rush of the 19th century. 

That Wanaka Tree!  Okay, I am going to be the first to admit that this is probably the most over-shot place in the whole entire world.  Everyone has said that to me...I don't care!  I came to Wanaka with two images in mind.  Roy's Peak (that's for tomorrow) and this damned tree.  I sat there this afternoon and photographed it from all the angles I could see.  The sunset didn't really happen, the tree was a bit barren and there was a fool with a drone chasing the birds but I think these shots were a success.  Now it's confirmed...This is the most photographed tree in the world!

A rainy afternoon spent at the Cadrona pub.  I was amazed to see a Tesla charging station here.  Apparently the test track is in the nearby hills!iPhone 6s pano

A rainy afternoon spent at the Cadrona pub.  I was amazed to see a Tesla charging station here.  Apparently the test track is in the nearby hills!

iPhone 6s pano

Canon 5Dmiii, 100-400L II IS @  400mm, ISO50, f/32, 13s

Canon 5Dmiii, 100-400L II IS @  400mm, ISO50, f/32, 13s

Canon 5Dmiii, 16-35L III @  26mm, ISO50, f/16, 15s

Canon 5Dmiii, 16-35L III @  26mm, ISO50, f/16, 15s

Canon 5Dmiii, 100-400L II IS @  170mm, ISO50, f/25, 20s

Canon 5Dmiii, 100-400L II IS @  170mm, ISO50, f/25, 20s

Canon 5Dmiii, 16-35L III @ 16mm, ISO50, f/14, 30s

Canon 5Dmiii, 16-35L III @ 16mm, ISO50, f/14, 30s

Canon 5Dmiii, 16-35L III @  35mm, ISO50, f/14, 30s

Canon 5Dmiii, 16-35L III @  35mm, ISO50, f/14, 30s

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Tekapo and Mount John University Observatory

September 13, 2017 Andre Hoffman
Tekapo from the hill adjacent to Mount John University ObservatoryCanon 5Dmiii, 100-400L II IS @ 100mm, ISO320, f/9, 1/100s

Tekapo from the hill adjacent to Mount John University Observatory

Canon 5Dmiii, 100-400L II IS @ 100mm, ISO320, f/9, 1/100s

Picturesque by day and dazzling by night, Lake Tekapo is part of a UNESCO Dark Sky Reserve, making it the perfect spot for stargazing.

Lake Tekapo is about three hours drive south-west of Christchurch in the Mackenzie Basin. The township faces north across the remarkable turquoise coloured lake to the mountainous drama of the Southern Alps. Lake Tekapo gets its intense milky-turquoise colour from the fine rock-flour (ground by glaciers) which is suspended in the water.

On the shores on the lake you'll see the beautiful Church of the Good Shepherd, where the altar window frames a perfect view of the Southern Alps beyond the lake. The church was built in 1935 for the pioneer families of the Mackenzie district.

Lake Tekapo is the second-largest of three roughly parallel lakes running north–south along the northern edge of the Mackenzie Basin in the South Island of New Zealand (the others are Lake Pukaki and Lake Ohau). It covers an area of 83 square kilometres (32 sq mi), and is at an altitude of 710 metres (2,330 ft) above sea level.

The lake is fed at its northern end by the braided Godley River, which has its source in the Southern Alps to the north. The Lake Tekapo Regional Park, administered by Environment Canterbury, is located on the southern shore of the lake.

An astronomical observatory is located at Mount John, which is to the north of the town, and south of the small Lake Alexandrina.

We woke up to beautiful morning.  It was only about 10 degrees C but there was no wind.  Today was a day for walking.  We started out from our apartment at The Mantra Tekapo on the South Eastern shore of the lake.  The walk would take us through the town centre where we stopped for the obligatory coffee :).  From there we continued along the lake and up into the hills on the Western shore.  The path would lead us up to Mount John University Observatory...where the wind was blowing a gale but the views of Tekapo and the surrounding mountains (Including Mount Dobson) were spectacular.  This took us most of the day but so worth it!

Pine cones and buds...colour contrast had me mesmerised!Canon 5Dmiii, 100mm Macro @ 100mm, ISO400, f/4, 1/250

Pine cones and buds...colour contrast had me mesmerised!

Canon 5Dmiii, 100mm Macro @ 100mm, ISO400, f/4, 1/250

New Zealand Chukor Phesant.  This is an introduced bird from India.Canon 5Dmiii, 100-400L II IS @ 400mm, ISO400, f/6.3, 1/400s

New Zealand Chukor Phesant.  This is an introduced bird from India.

Canon 5Dmiii, 100-400L II IS @ 400mm, ISO400, f/6.3, 1/400s

Alba is still smiling because she's blissfully unaware as to how much time she'll spend in that pack on this holiday :)Canon 5Dmiii, 100-400L IS @ 214mm, ISO400, f/6.3, 1/400s

Alba is still smiling because she's blissfully unaware as to how much time she'll spend in that pack on this holiday :)

Canon 5Dmiii, 100-400L IS @ 214mm, ISO400, f/6.3, 1/400s

Getting around the lake.Canon 5Dmiii, 16-35L III @ 16mm, ISO100, f/14, 1/20s with 0.6GND Soft Filter

Getting around the lake.

Canon 5Dmiii, 16-35L III @ 16mm, ISO100, f/14, 1/20s with 0.6GND Soft Filter

Appropriate coffee up at the observatory.iPhone 6S

Appropriate coffee up at the observatory.

iPhone 6S

Starting the walk down from the ObservatoryCanon 5Dmiii, 16-35L III @ 35mm, ISO640, f/10, 1/125s

Starting the walk down from the Observatory

Canon 5Dmiii, 16-35L III @ 35mm, ISO640, f/10, 1/125s

The vegetation changes as we get lower.Canon 5Dmiii, 24-105L IS @ 55mm, ISO800, f/5.6, 1/125s

The vegetation changes as we get lower.

Canon 5Dmiii, 24-105L IS @ 55mm, ISO800, f/5.6, 1/125s

The trees get taller as we get lower.Canon 5Dmiii, 24-105L IS @ 60mm, ISO800, f/4.5, 1/100s

The trees get taller as we get lower.

Canon 5Dmiii, 24-105L IS @ 60mm, ISO800, f/4.5, 1/100s

Back down at the lake.  It's late afternoon and the sun is starting to set.  The light isn't great but the memory is.Canon 5Dmiii, 16-35L III @ 19mm, ISO50, f/22, 10s with 0.6 ND and 0.6GND Soft Filter

Back down at the lake.  It's late afternoon and the sun is starting to set.  The light isn't great but the memory is.

Canon 5Dmiii, 16-35L III @ 19mm, ISO50, f/22, 10s with 0.6 ND and 0.6GND Soft Filter

Comment

North to Tekapo

September 12, 2017 Andre Hoffman
Clara, Tyson, Alba and I take in the view at Benmore LakeCanon 5Dmiii, 16-35L III @ 16mm, ISO50, f/16, 1/6s with 0.3ND and 0.6GND

Clara, Tyson, Alba and I take in the view at Benmore Lake

Canon 5Dmiii, 16-35L III @ 16mm, ISO50, f/16, 1/6s with 0.3ND and 0.6GND

Today's route took us up Route 6, past the Roaring Meg hydro power station.  How magnificent to see clean energy being generated.  From there we went up route 8 with a slight detour along 83 to Benmore Lakes.  Wow!  Who would have guessed it would be that beautiful.  They say that Montana is big sky country but I have to say that this is about as "big sky" as you can get!  Back along 83 to Route 8 and up to Lake Pukaki and Tekapo. 

I'd been wanting to come to Tekapo for a long time.  The Church of the Good Shepard is all over Instagram and there are some fantastic walks around the lake to the observatory...That is for tomorrow.

Roaring Meg Hydro Power StationCanon 5Dmiii, 16-35L III @ 35mm, ISO50, f/22, 2s  (Stitched Panorama)

Roaring Meg Hydro Power Station

Canon 5Dmiii, 16-35L III @ 35mm, ISO50, f/22, 2s  (Stitched Panorama)

Alba flying!Canon 5Dmiii, 24-105L  @ 105mm, ISO1600, f/5, 1/320s

Alba flying!

Canon 5Dmiii, 24-105L  @ 105mm, ISO1600, f/5, 1/320s

Somewhere down Route 8Canon 5Dmiii, 24-105L  @ 93mm, ISO250, f/5, 1/1000s

Somewhere down Route 8

Canon 5Dmiii, 24-105L  @ 93mm, ISO250, f/5, 1/1000s

Cherry blossoms in the parking lot at Benmore LakeCanon 5Dmiii, 100-400L II @ 400mm, ISO400, f/6.3, 1/250s

Cherry blossoms in the parking lot at Benmore Lake

Canon 5Dmiii, 100-400L II @ 400mm, ISO400, f/6.3, 1/250s

Walking into Benmore Lake.  I had no idea how good today would become.Canon 5Dmiii, 16-35L  @ 35mm, ISO250, f/5, 1/200s

Walking into Benmore Lake.  I had no idea how good today would become.

Canon 5Dmiii, 16-35L  @ 35mm, ISO250, f/5, 1/200s

First view of Benmore LakeCanon 5Dmiii, 24-105L  @ 45mm, ISO400, f/8, 1/200s

First view of Benmore Lake

Canon 5Dmiii, 24-105L  @ 45mm, ISO400, f/8, 1/200s

Big sky country!Canon 5Dmiii, 16-35L III @ 35mm, ISO200, f/5.6, 1/250s

Big sky country!

Canon 5Dmiii, 16-35L III @ 35mm, ISO200, f/5.6, 1/250s

Lake Pukaki from the South.  Somewhere in the distance is Mount Cook.  Excited!Canon 5Dmiii, 24-105L  @ 85mm, ISO320, f/8, 1/400s

Lake Pukaki from the South.  Somewhere in the distance is Mount Cook.  Excited!

Canon 5Dmiii, 24-105L  @ 85mm, ISO320, f/8, 1/400s

Tyson and Alba enjoy the view at Lake PukakiCanon 5Dmiii, 24-105L  @ 97mm, ISO1600, f/4, 1/80s

Tyson and Alba enjoy the view at Lake Pukaki

Canon 5Dmiii, 24-105L  @ 97mm, ISO1600, f/4, 1/80s

Finally I am here...The Church of the Good Shepard on the shore of Lake TekapoCanon 5Dmiii, 24-105L  @ 24mm, ISO50, f/16, 30s with 0.6ND Soft Grad

Finally I am here...The Church of the Good Shepard on the shore of Lake Tekapo

Canon 5Dmiii, 24-105L  @ 24mm, ISO50, f/16, 30s with 0.6ND Soft Grad

From the lake sideCanon 5Dmiii, 24-105L  @ 73mm, ISO50, f/20, 10s with 0.6ND Soft Grad

From the lake side

Canon 5Dmiii, 24-105L  @ 73mm, ISO50, f/20, 10s with 0.6ND Soft Grad

Light painting after sunset.  This attracts a lot of attention so be prepared to answer questions if you do this.Canon 5Dmiii, 16-35L III  @ 16mm, ISO100, f7.1, 30s

Light painting after sunset.  This attracts a lot of attention so be prepared to answer questions if you do this.

Canon 5Dmiii, 16-35L III  @ 16mm, ISO100, f7.1, 30s

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Arrowtown and Otago wine.

September 11, 2017 Andre Hoffman
The conifers on the hills surrounding Arrowtown.  Recovering from a  pretty brutal winter I would imagine.  The patterns were mesmerising.Canon 5Dmiii, 100-400L II IS @ 286mm, ISO400, f/5.6, 1/400s

The conifers on the hills surrounding Arrowtown.  Recovering from a  pretty brutal winter I would imagine.  The patterns were mesmerising.

Canon 5Dmiii, 100-400L II IS @ 286mm, ISO400, f/5.6, 1/400s

Today was really the start of our holiday.  It was the first day were were all free to explore together.  With the weather being a little unpredictable we decided a trip to Arrowtown and the surrounding wineries would be in order.

The day started off with coffee at Provision Cafe.  The coffee was great and the service super fast.  Poor Tyson saw the last 4 custard tarts bought by the man in front of him.  We'd return to this place. 

Walking the streets of historic Arrowtown.Canon 5Dmiii, 100-400L II IS @ 100mm, ISO800, f/5.6, 1/320s

Walking the streets of historic Arrowtown.

Canon 5Dmiii, 100-400L II IS @ 100mm, ISO800, f/5.6, 1/320s

From Arrowtown we moved on to the wine region just South East.

 

Cherry blossoms at Gibbston Valley Wine FarmCanon 5Dmiii, 100-400L II IS @ 400mm, ISO100, f/6.3, 1/400s

Cherry blossoms at Gibbston Valley Wine Farm

Canon 5Dmiii, 100-400L II IS @ 400mm, ISO100, f/6.3, 1/400s

Outside the cellar door at Gibbston ValleyCanon 5Dmiii, 100mm Macro @ 100mm, ISO100, f/4, 1/320s

Outside the cellar door at Gibbston Valley

Canon 5Dmiii, 100mm Macro @ 100mm, ISO100, f/4, 1/320s

Orchids at Peregrine WinesCanon 5Dmiii, 100mm Macro @ 100mm, ISO100, f3.5, 1/2000s

Orchids at Peregrine Wines

Canon 5Dmiii, 100mm Macro @ 100mm, ISO100, f3.5, 1/2000s

More colour at Peregrine WinesCanon 5Dmiii, 100mm Macro @ 100mm, ISO100, f/3.2, 1/100s

More colour at Peregrine Wines

Canon 5Dmiii, 100mm Macro @ 100mm, ISO100, f/3.2, 1/100s

Enjoying the surrounds at Chard Wine FarmCanon 5Dmiii, 100-400L II IS @ 108mm, ISO400, f/6.3, 1/250s 

Enjoying the surrounds at Chard Wine Farm

Canon 5Dmiii, 100-400L II IS @ 108mm, ISO400, f/6.3, 1/250s

 

Kawarau Gorge Suspension BridgeCanon 5Dmiii, 100-400L II IS @ 400mm, ISO400, f/6.3, 1/250s 

Kawarau Gorge Suspension Bridge

Canon 5Dmiii, 100-400L II IS @ 400mm, ISO400, f/6.3, 1/250s

 

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The South Island adventure begins!

September 10, 2017 Andre Hoffman
The adventure begins.  The most exciting part of all of this is that the immediate future is pretty much unknown.  Lake Wakatipu, Queenstown.Canon 5Dmiii, 100-400L II IS @ 100mm, ISO100, f/8, 1/200s

The adventure begins.  The most exciting part of all of this is that the immediate future is pretty much unknown.  Lake Wakatipu, Queenstown.

Canon 5Dmiii, 100-400L II IS @ 100mm, ISO100, f/8, 1/200s

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A little introspection

December 14, 2016 Andre Hoffman
Sunset over Glenrock Lagoon

It's been a while since I last posted on this blog.  I don't really know why that is.  It hasn't been a massively busy time and I haven't been travelling so have no reason really.  It has however been a difficult time again coming into Christmas.  This time of year tends to heighten emotions.

Tonight I thought I'd take a walk and try to clear my head a little.  I miss you so much my baby girl...  

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Winter sun

July 17, 2016 Andre Hoffman
Sunrise at Merewether

Sunrise at Merewether

It's been a busy time with a few other things on my plate.  Lesson learned:  Don't neglect the things that make you happy!

Today was a great day in Newcastle.  I woke to a dark fog over my home which cleared as the sun rose at Merewether.  The haze stayed over Newcastle and set the scene for a stunning sunset.  

#Ilovethisplace :)

Canon 5Dmiii, 16-36L II @ 16mm with B&W Circ polariser, Cokin 0.3GND, ISO50, f/22, 4s

Canon 5Dmiii, 16-36L II @ 16mm with B&W Circ polariser, ISO50, f/22, 20s

Sunset at Nobby's

Sunset at Nobby's

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Jess' Instameet

May 28, 2016 Andre Hoffman
The sky explodes with colour for 5 minutes

The sky explodes with colour for 5 minutes

I'm always looking to catch up with photographers so when Jess Ward called this instameet I was keen to be there.  It was a pity that only 4 people turned up.  To those that didn't, you missed a cracker sunset at Nobbys :).

Canon 5Dmiii, 16-35L II @ 16mm with B&W Circ polariser, Cokin 0.3GND, ISO50, f/22, 4s

Canon 5Dmiii, 16-35L II @ 26mm with B&W Circ polariser, Cokin 0.3GND, ISO50, f/22, 4s

Ships bask in the sunset

Ships bask in the sunset

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3rd Creek

May 18, 2016 Andre Hoffman
Looking North from Third Creek South of Redhead Beach

Looking North from Third Creek South of Redhead Beach

Alyssa and I took an early morning walk from her and Mick's home in Belmont to one of her favourite spots.  Redead really is a beautiful spot and seeing it from the South for the first time and being able to share that with someone else was a treat.

Canon 5Dmiii, 24-105L IS @ 24mm with B&W Circ polariser, Cokin 0.3GND, ISO50, f/22, 1.6s

Canon 5Dmiii, 16-36L II @ 35mm with B&W Circ polariser, Cokin 0.3GND, ISO50, f/22, 20s

Canon 5Dmiii, 24-105L IS @ 24mm with B&W Circ polariser, ISO640, f/8, 1/200s, 14 Image Panorama

 

The sky lights up

The sky lights up

Alyssa takes in the view

Alyssa takes in the view

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Morning's soft caress

May 16, 2016 Andre Hoffman
The soft morning light softly caresses the rocks and lights up the ocean

The soft morning light softly caresses the rocks and lights up the ocean

These rocks at Redhead hold a very special place in my heart.  They remind me of time here with my parents not so long ago and also of a dear friend who now has my work hanging in her home.

Canon 5Dmiii, 16-36L II @ 25mm with B&W Circ polariser, Cokin 0.3GND, ISO50, f/22, 6s

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Nobby's sparkles in the morning light

May 13, 2016 Andre Hoffman
Sunrise!

Sunrise!

Clear skies and fresh air off the ocean...could life get any better than being able to watch this sunrise every day if I wanted.  I love this place...it's been good to me.

Canon 5Dmiii, 16-36L II @ 16mm with B&W Circ polariser, Cokin 0.6GND, ISO50, f/22, 1/2s

Canon 5Dmiii, 70-200L IS @ 70mm, ISO500, f/7.1, 1/1000s

Backlit waves make me happy!

Backlit waves make me happy!

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Every day is unique

May 10, 2016 Andre Hoffman
Sunrise to the North of Merewether

Every day brings its unique colour, feeling, mood and unknown.  What will today bring?  One thing is for sure, I'll miss you today as you celebrate 14  in my yesterday...so far away.

Canon 5Dmiii, 16-36L II @ 16mm with B&W Circ polariser, Cokin 0.3GND, ISO200, f/22, 5s

Canon 5Dmiii, 16-36L II @ 16mm with B&W Circ polariser, Cokin 0.6GND, ISO50, f/22, 6s

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